Welcome to today's special post for my Through the Opera Glasses arts feature.
Today is my offering on the Virtual Blog Tour, hosted by Kailana and Marg.
My stop on the tour takes us to the ballet that started it all for me, as it does for so many other people - The Nutcracker.
This is the double album that my sister and I discovered under the Christmas tree in the early 70's. The full ballet score - no Nutcracker Suite, no sirree. I can't tell you how many hours I sat crosslegged on the rug in front of the stereo, gazing endlessly at this illustration on the album's front cover while I listened to every note of this magical work.
When I grew up and moved from Canada's east coast to Toronto, I somehow managed to get a job as an usher at the theatre where The National Ballet of Canada then performed. I started work in November, during the run of Swan Lake, so I was just in time for my first season of working the Nutcracker.
During my eight years at the theatre, I watched nearly every performance of the Nutcracker. The other ushers would get sick of it after the initial novelty wore off, but not me. Even when I was stationed somewhere outside the theatre, like the front doors to rip tickets or at the bottom of the lobby stairs to cover a reception, I would spend my break inside watching the performance.
These are my dear friends Alan and Jacquie, who can vouch for the depth of my ballet passion.
We're sitting at the pass door, which an usher would guard and allow only theatre or company members to pass through, while showing - you guessed it - an official pass.
For today's Advent post, I want to share a simply heartrending and exquisite piece of music from the Nutcracker, the adagio from the grand pas de deux which comes near the end of the ballet.
This is one of my favorite pieces of music. I'd always wondered what it was doing in the middle of a children's holiday ballet, but Tchaikovsky wrote it only a few years before his death, with only ten more works to follow. During the spring of 1891 as he worked on the music for Act II, where the grand pas de deux takes place, Tchaikovsky lost his sister, with whom he was very close. This gorgeous adagio so filled with adoration and longing makes more sense when viewed in that context.
Before we get to the Nutcracker adagio, I'll let two dancers from the Anaheim Ballet describe the process of creating a seamless dance partnership which shines during the pas de deux.
And here is the piece itself, choreographed by Rudolf Nureyev for the Paris Opera Ballet.
The Prince is danced by Laurent Hilaire. I saw him dance in person when he partnered Karen Kain during her retirement season. He was a strong actor, an instinctive partner and had the perfect blend of masculine grace.
Dancing the role of Clara is Elisabeth Maurin. Her technique and balance are absolute perfection.
The ballet was first performed in St. Petersberg, Russia at the Mariinsky Theatre on December 18, 1892.
Note: The volume is very, very low on this clip. You'll have to turn it wa-a-y-y up.
"Tchaikovsky's (initial) skeptical attitude towards a lowly genre was ousted by an attentive interest in its unused creative possibilities.
Given Tchaikovsky's unusual thinking which created dancing poetry, his tendency to portray action in musical-scenic works, and a desire to embody real and eternal feelings in the world of art, this could not but find an outlet in the genre of ballet music." - Olga Gerdt, History of Russian Ballet
To visit the other bloggers posting on the Tour today, visit:
Annabel at Gaskella
Heather at Book Obsessed
Sprite at Sprite Writes
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